21 Best Sights in Emilia, Emilia–Romagna

This was the reception room for the erudite abbess Giovanna da Piacenza, who hired Correggio in 1519 to provide its decoration: mythological scenes are depicted in glorious frescoes of the Triumphs of the Goddess Diana, the Three Graces, and the Three Fates.

Modena's principal museum, housed in the Palazzo dei Musei and located just a short walk from the Duomo, has an impressive collection assembled in the mid-17th century by Francesco d'Este (1610–58), Duke of Modena. The Galleria Estense is named in his honor and contains masterpieces by Bernini, Correggio, El Greco, Tintoretto, Velázquez, Veronese, and Salvator Rosa among others. The Biblioteca Estense here is a huge collection of illuminated manuscripts, of which the best known is the beautifully illustrated Bible of Borso d'Este (1455–61). 

Locals and visitors flock to this fruit, vegetable, meat, and fish market with good reason. Ingredients are of the finest and of the freshest, and visually the place is a glorious sight to behold. A restaurant inside (outside seating when the weather agrees) serves much of what comes from the market. It's been around in this current incarnation since 1931, and it's pretty easy to see why.

With one ticket, you can visit the Pilotta museums. The Galleria Nazionale contains masterpieces by Correggio, Leonardo da Vinci, and Bronzino. The Baroque Teatro Farnese, built in 1617–18, is made entirely of wood—though largely destroyed in a 1944 Allied bombing raid, it's been flawlessly restored. In the Archeological Museum see Etruscan, Roman, and Egyptian artifacts; the Palatina Library houses more than 500 religious manuscripts; and the Bodoniano museum covers printmaking.

Baptisms still happen in this baptistery designed by Benedetto Antelami between 1196 and 1216. It has a simple Pink Verona-marble Romanesque exterior and an uplifting Gothic interior. The doors are richly decorated with figures, animals, and flowers, and inside, the building has stucco figures (probably carved by Antelami) showing the months and seasons, and a vibrantly decorated cupola. Early-14th-century frescoes depicting scenes from the life of Christ grace the walls.

An engaging audio-guide itinerary for each of the eight modestly furnished rooms of Verdi's birthplace evokes the atmosphere of his family life here, shared with his seamstress mother and osteria (tavern)-running father. Despite Verdi's worldwide success and fame he never forgot his origins. In 1863 he wrote: "Sono stato, sono e sarò sempre un paesano delle Roncole: "I was, am and always will be a Roncole peasant."

The magnificent 12th-century cathedral has two vigilant stone lions standing guard beside the main door; inside is some notable art in styles from medieval to Mannerist. The arch of the entrance is decorated with a delicate frieze of figures representing the months of the year, a motif repeated inside the baptistery. Some of the church's original artwork still survives, notably the simple yet evocative Descent from the Cross, a carving in the right transept by Benedetto Antelami (active 1178–1230), whose masterwork is this cathedral's baptistery. It's an odd juxtaposition to turn from his austere work to the exuberant fresco in the dome, the Assumption of the Virgin by Antonio Allegri, better known to us as Correggio (1494–1534). The fresco was not well received when it was unveiled in 1530. "A mess of frogs' legs," the bishop of Parma is said to have called it. Today Correggio is acclaimed as one of the leading masters of Mannerist painting. The fresco is best viewed when the sun is strong, as this building is not particularly well lit.

Begun by the architect Lanfredo in 1099 and consecrated in 1184, the 12th-century Romanesque cathedral has medieval sculptures depicting scenes from Genesis on the facade, but walk around to the Piazza Grande side as well to see the building's marvelous arcading. It's a rare example of a cathedral having more than one principal view. The interior, completely clad in brick, imparts a sober and beautiful feel. An elaborate gallery has scenes of the Passion of Christ carved by Anselmo da Campione and his assistants circa 1160–80. The tomb of San Geminiano is in the crypt. The white-marble bell tower is known as La Torre Ghirlandina (the Little Garland Tower) because of its distinctive weather vane.

Attached like a sinister balcony to the bell tower of Piacenza's 12th-century Duomo is a gabbia (iron cage), where miscreants were incarcerated naked and subjected to the scorn of the crowd in the marketplace below. Inside the cathedral, less evocative but equally impressive medieval stonework decorates the pillars and the crypt, and there are extravagant frescoes in the dome of the cupola begun by Morazzone (1573–1626). Guercino (1591–1666) completed them upon Morazzone's death. If you're feeling strong, you can climb the spiral staircase to the cupola for a closer view. The Duomo can be reached by following Via XX Settembre from Piazza dei Cavalli.

The eclectic city-owned museum of Piacenzan art and antiquities is housed in the vast Palazzo Farnese, a monumental palace commissioned by the ruling family that, although construction began in 1558, was never completed as planned. The highlight of the museum's collection is the tiny 2nd-century-BC Etruscan Fegato di Piacenza, a bronze tablet shaped like a fegato (liver), marked with the symbols of the gods of good and ill fortune. The collection also contains Botticelli's beautiful Madonna and Child with St. John the Baptist.

The trademark crumbly cheese is the focus of this museum, which is part of the collective known as Musei del Cibo whose goal is to showcase the region's most famous foods. There's a video that demonstrates the process of making Parmigiano-Reggiano and exhibits that explore the history of the cheese. Tastings are also offered, and cheese is available to purchase.

Part of the collective known as Musei del Cibo, which works to showcase the region's most famous foods, this museum offers an in-depth look at Italy's most famous cured pork product. It offers tastings, a bit of history on prosciutto, and a tour through the process of making it. A gift shop ensures that you can take some of this marvelous product home.

The home of the much revered founder of the Ferrari automobile marque, Enzo Ferrari, has been imaginatively enlarged and converted into a museum dedicated to his life and work. Besides the various trophies and engines on display, visitors can view an absorbing video that tells the Ferrari story and see the restored workshop belonging to Enzo's father, Alfredo, and, in a futuristic pavilion built alongside, a grand array of contemporary and vintage cars. A joint ticket is available with the Museo Ferrari in Maranello.

This museum has become a pilgrimage site for auto enthusiasts. It takes you through the illustrious history of Ferrari, from early 1951 models to the present—the legendary F50 and cars driven by Michael Schumacher in Formula One victories being highlights. You can also take a look at the glamorous life of founder Enzo Ferrari (a re-creation of his office is on-site) and get a glance at the production process.

The hub of the city is the Piazza dei Cavalli, with the flamboyant equestrian statues from which the piazza takes its name. These are depictions of Ranuccio Farnese (1569–1622) and, on the left, his father, Alessandro (1545–92). The latter was a beloved ruler, enlightened and fair; Ranuccio, his successor, less so. Both statues are the work of Francesco Mochi, a master Baroque sculptor. Dominating the square is the massive 13th-century Palazzo Pubblico, also known as Il Gotico. This two-tone, marble-and-brick, turreted and crenellated building was the seat of town government before Piacenza fell under the iron fists of the ruling Pallavicini and Farnese families.

The impressive cobblestone piazza scene contains the cathedral and the Battistero, plus the Palazzo del Vescovado (Bishop's Palace). Behind the Duomo is the Baroque church of San Giovanni Evangelista.

This piazza is the heart of Parma, where people gather to pass the time of day, start their passeggiata (constitutional), or simply hang out; the square and nearby Piazza del Duomo make up one of the loveliest historic centers in Italy. Strada Cavour, leading off the piazza, is Parma's prime shopping street. It's also crammed with wine bars teeming with locals, so it's a perfect place to stop for a snack or light lunch or a drink.

Beyond the elaborate Baroque facade of San Giovanni Evangelista, the Renaissance interior reveals several works by Correggio: St. John the Evangelist (in the lunette above the door in the left transept) is considered among his finest. Also in this church are works by Parmigianino (1503–40), a contemporary of Correggio's.

Dating from the 16th century, this delightful church has one of Parma's most recognizable domes. In the dome's large arch there's a wonderful decorative fresco by Francesco Mazzola, better known as Parmigianino. He took so long to complete it that his patrons briefly imprisoned him for breach of contract.

In the center of Busseto is the lovely Teatro Verdi, dedicated, as you might expect, to the works of the hamlet's famous son. Guided tours (in both English and Italian) of the well-preserved, ornate, 19th-century-style theater are offered every half hour. Check with the Busseto tourist office for the performance schedule.

For Verdi lovers, Villa Verdi (also known as Villa Sant'Agata) is a veritable shrine. It's the grand country home Verdi built for himself in 1849—and the place where some of his greatest works were composed. Visits are by tour only.