7 Best Sights in Athens, Greece

Designed by the celebrated Swiss architect Bernard Tschumi in collaboration with Greek architect Michalis Fotiadis, the Acropolis Museum made world headlines when it opened in June 2009. If some buildings define an entire city in a particular era, Athens's monumental museum boldly sets the tone of Greece's modern aspirations. Occupying a large plot of the city's most prized real estate, the Acropolis Museum nods to the fabled ancient hill above it but speaks—thanks to a building that looks spectacular from its every angle—in a contemporary architectural language.

The museum drew 90,000 visitors in its first month and proved it is spacious enough to accommodate such crowds (a whopping 14½ million visitors had entered the doors of the ingenious, airy structure by the end of its first decade). Unlike its crammed, dusty predecessor, there is lots of elbow room, from the museum's olive tree–dotted grounds to its prized, top-floor Parthenon Gallery.

Regal glass walkways, very high ceilings, and panoramic views are all part of the experience. In the five-level museum, every shade of marble is on display and bathed in abundant, UV-safe natural light. Visitors pass into the museum through a broad entrance and move ever upward.

The ground-floor exhibit, "The Acropolis Slopes," features objects found in the sanctuaries and settlements around the Acropolis—a highlight is the collection of theatrical masks and vases from the sanctuary of the matrimonial deity Nymphe. The next floor is devoted to the Archaic period (650 BC–480 BC), with rows of precious statues mounted for 360-degree viewing. The floor includes sculptural figures from the Hekatompedon—the temple that may have predated the classical Parthenon—such as the noted group of stone lions gorging on a bull from 570 BC. The legendary five Caryatids (or Korai)—the female figures supporting the Acropolis's Erectheion building—symbolically leave a space for their sister, who resides in London's British Museum.

The second floor is devoted to the terrace and a restaurant/coffee shop with a wonderful view of the Acropolis, which starts by serving a traditional Greek breakfast every day except Monday, before moving on to more delicious Greek dishes (every Friday the restaurant remains open until midnight).

Drifting into the top-floor atrium, the visitor can watch a video on the Parthenon before entering the star gallery devoted to the temple's Pentelic marble decorations, many of which depict a grand procession in the goddess Athena's honor. Frieze pieces (originals and copies), metopes, and pediments are all laid out in their original orientation. This is made remarkably apparent because the gallery consists of a magnificent, rectangle-shaped room tilted to align with the Parthenon itself. Floor-to-ceiling windows provide magnificent vistas of the temple just a few hundred feet away.

Museum politics are unavoidable here. This gallery was designed—as Greek officials have made obvious—to hold the Parthenon Marbles in their entirety. This includes the sculptures Lord Elgin brought to London two centuries ago. Currently, 50 meters of the frieze are in Athens, 80 meters in London's British Museum, and another 30 meters scattered in museums around the world. The spectacular and sumptuous new museum challenges the British claim that there is no suitable home for the Parthenon treasures in Greece. Pointedly, the museum avoids replicas, as the top-floor gallery makes a point of highlighting the abundant missing original pieces with empty space and outlines.

Elsewhere on view are other fabled works of art, including the Rampin Horseman and the compelling Hound, both by the sculptor Phaidimos; the noted pediment sculpted into a calf being devoured by a lioness—a 6th-century BC treasure that brings to mind Picasso's Guernica; striking pedimental figures from the Old Temple of Athena (525 BC) depicting the battle between Athena and the Giants; and the great Nike Unfastening Her Sandal, taken from the parapet of the Acropolis's famous Temple of Athena Nike.

Greece's oldest private museum received a spectacular addition in 2004, with a hypermodern new branch that looks like it was airlifted in from New York City. The imposing Neoclassical mansion in the posh Kolonaki neighborhood was turned into a museum in 1926 by an illustrious Athenian family and was one of the first to place emphasis on Greece's later heritage at a time when many archaeologists were destroying Byzantine artifacts to access ancient objects. The permanent collection (more than 20,000 items are on display in 36 rooms, and that's only a sample of the holdings) moves chronologically from the ground floor upward, from prehistory to the formation of the modern Greek state. You might see anything from a 5,000-year-old hammered-gold bowl to an austere Byzantine icon of the Virgin Mary to Lord Byron's pistols to the Nobel medals awarded to poets George Seferis and Odysseus Elytis. Some exhibits are just plain fun—the re-creation of a Kozani (Macedonian town) living room; a Karaghiozi shadow puppet piloting a toy plane—all contrasted against the marble and crystal-chandelier grandeur of the Benaki home. The mansion that serves as the main building of the museum was designed by Anastassios Metaxas, the architect who helped restore the Panathenaic Stadium. The Benaki's gift shop, a destination in itself, tempts with exquisitely reproduced ceramics and jewelry, some with exciting contemporary design twists. The second-floor café is on a generous veranda overlooking the National Garden. A couple of blocks away is the Benaki Ghika Gallery, at 3 Krietzou Street, dedicated to the painter Nikos Hadjikyriakos-Ghika. The annex at 138 Pireos Street in the Gazi-Keremeikos neighborhood displays avant-garde temporary exhibitions, while behind Kerameikos Cemetery stands the Benaki Museum of Islamic Art.

The stately Michaleas Mansion, built in 1884, now showcases the Kanellopoulos family collection. It spans Athens's history from the 3rd century BC to the 19th century, with an emphasis on Byzantine icons, jewelry, and Mycenaean and Geometric vases and bronzes. Note the painted ceiling gracing the first floor.

Many of the greatest achievements in ancient Greek sculpture and painting are housed here in the most important museum in Greece. Artistic highlights from every period of its ancient civilization, from Neolithic to Roman times, make this a treasure trove beyond compare. With a massive renovation completed, works (more than 11,000 of them) that have languished in storage for decades are now on view, reorganized displays are accompanied by enriched English-language information, and the panoply of ancient Greek art appears more spectacular than ever.

While the classic culture that was the grandeur of the Greek world no longer exists—it died, for civilizations are mortal—it left indelible markers in all domains, most particularly in art, and many of its masterpieces are on show here. The museum's most celebrated display is the Mycenaean Antiquities. Here are the stunning gold treasures from Heinrich Schliemann's 1876 excavations of Mycenae's royal tombs: the funeral mask of a bearded king, once thought to be the image of Agamemnon but now believed to be much older, from about the 15th century BC; a splendid silver bull's-head libation cup; and the 15th-century BC Vapheio Goblets, masterworks in embossed gold. Mycenaeans were famed for their carving in miniature, and an exquisite example is the ivory statuette of two curvaceous mother goddesses, each with a child nestled on her lap.

Withheld from the public since they were damaged in the 1999 earthquakes, but not to be missed, are the beautifully restored frescoes from Santorini, delightful murals depicting daily life in Minoan Santorini. Along with the treasures from Mycenae, these wall paintings are part of the museum's Prehistoric Collection.

Other stars of the museum include the works of Geometric and Archaic art (10th to 6th century BC), and kouroi and funerary stelae (8th to 5th century BC), among them the stelae of the warrior Aristion signed by Aristokles, and the unusual Running Hoplite (a hoplite was a Greek infantry soldier). The collection of Classical art (5th to 3rd century BC) contains some of the most renowned surviving ancient statues: the bareback Jockey of Artemision, a 2nd-century BC Hellenistic bronze salvaged from the sea; from the same excavation, the bronze Artemision Poseidon (some say Zeus), poised and ready to fling a trident (or thunderbolt?); and the Varvakios Athena, a half-size marble version of the gigantic gold-and-ivory cult statue that Pheidias erected in the Parthenon.

Light refreshments are served in a lower ground-floor café, which opens out to a patio and sculpture garden. Don't forget to also check the museum's temporary exhibitions.

Even those uninterested in coins might want to visit this museum for a glimpse of the former home of Heinrich Schliemann, who famously excavated Troy and Mycenae in the 19th century. Built by the Bavarian architect Ernst Ziller for the archaeologist's family and baptized the "Iliou Melanthron" (or Palace of Troy), it flaunts an imposing neo-Venetian facade. Inside are some spectacular rooms, including the vast and floridly decorated Hesperides Hall, ashimmer with colored marbles and neo-Pompeian wall paintings. Today, in this exquisite Neoclassical mansion, seemingly haunted by the spirit of the great historian, you can see more than 600,000 coins, including those from the archaeologist's own collection, as well as 4th-century BC measures employed against forgers and coins grouped according to what they depict—animals, plants, myths, and famous buildings like the Lighthouse of Alexandria. The museum's peaceful garden café is a tranquil and cozy oasis ideal for a rendezvous.

The Greek Folk Art Museum (also known as the Modern Greek Culture Museum) encompasses numerous buildings and focuses on folk art from 1650 to the present, with especially interesting embroideries, stone and wood carvings, carnival costumes, and Karaghiozis (shadow player figures). After an impressive expansion, it now incorporates the beautiful 19th-century neoclassical Bath-House of the Winds in Kyrristou Street, a spectacularly vast mosque (now deconsecrated and given over to museum displays) located in Areos Street, and exhibitions at nearby 22 Panos Street, which handles the vast overflow of objects on view. The permanent exhibition at the museum is entitled "Man and Tools" and presents utilitarian objects that have served a purpose in the evolution of culture. Don't miss the room of uniquely fanciful landscapes by beloved Greek folk painter Theophilos Hatzimichalis, from Mytilini.

After making the rounds of the ancient sites, you might think that Greek history ground to a halt when the Byzantine Empire collapsed. A visit to this gem of a museum, housed in the spectacularly majestic Old Parliament mansion (used by parliamentarians from 1875 to 1932), will fill in the gaps, often vividly, as with Lazaros Koyevina's copy of Eugene Delacroix's Massacre of Chios, to name but one example. Paintings, costumes, and assorted artifacts from small arms to flags and ships' figureheads are arranged in a chronological display tracing Greek history from the mid-16th century and the Battle of Lepanto through World War II and the Battle of Crete. A small gift shop near the main entrance—framed by a very grand neoclassical portico of columns—has unusual souvenirs, like a deck of cards featuring Greece's revolutionary heroes.