10 Best Sights in The Pfalz and Rhine Terrace, Germany

Burg Trifels is on the highest of three sandstone bluffs overlooking Annweiler, 15 km (9 miles) northwest of Gleiszellen. Celts, Romans, and Salians all had settlements on this site, but it was under the Hohenstaufen emperors (12th and 13th centuries) that Trifels was built on a grand scale. It housed the crown jewels from 1125 to 1274 (replicas are on display today). It was also an imperial prison, perhaps where Richard the Lion-Hearted was held captive in 1193–94. Although it was never conquered, the fortress was severely damaged by lightning in 1602. Reconstruction began in 1938, shaped by visions of grandeur to create a national shrine to the imperial past. The monumental proportions of some parts of today's castle bear no resemblance to those of the original Romanesque structure. The imperial hall is a grand setting for summer concerts. On foot: From Annweiler, follow the local signs for Burg Trifels. The hike is about an hour. By car: Follow the A-65 in the direction of Karl-Ludwigshafen, take exit Landau-Süd, then B-10 to Annweiler west. From there follow the local signs. Parking is at the foot of the fortress, a 20-minute walk from the top.

This cathedral's interior is a virtual sculpture gallery of elaborate monuments and tombstones of archbishops, bishops, and canons, many of which are significant artworks in their own right. Emperor Otto II began building the oldest of the Rhineland's trio of grand Romanesque cathedrals in 975, the year in which he named Willigis archbishop and chancellor of the empire. Henry II, the last Saxon emperor of the Holy Roman Empire, was crowned here in 1002, as was his successor, Konrad II, the first Salian emperor, in 1024. In 1009, on the very day of its consecration, the cathedral burned to the ground. It was the first of seven fires the Dom has endured. Today's cathedral dates mostly from the 11th to 13th century. During the Gothic period, remodeling diluted the Romanesque identity of the original; an imposing baroque spire was added in the 18th century. Nevertheless, the building remains essentially Romanesque, and its floor plan demonstrates a clear link to the cathedrals in Speyer and Worms. Individual and group tours can be arranged through the Tourist Service Center.

Speyer was an important medieval Jewish cultural center. Behind the Palatinate Historical Museum is the Jewish quarter, a UNESCO World Heritage site since 2021, where you'll find synagogue remains from 1104; Germany's oldest (circa 1126) ritual baths, the 33-foot-deep Mikwe; and the Museum SchPIRA, which displays objects such as gravestones and coins from the Middle Ages.

The Kaiserdom, one of the finest Romanesque cathedrals in the world and a UNESCO World Heritage site, conveys the pomp and majesty of the early Holy Roman emperors. It was built between 1030 and 1061 by the emperors Konrad II, Henry III, and Henry IV. The last replaced the flat ceiling with groin vaults in the late 11th century, an innovative feat in its day. A restoration program in the 1950s returned the building to almost exactly its original condition. The four towers symbolize the four seasons and the idea that the power of the empire extends in all four directions. Look up as you enter the nearly 100-foot-high portal; it's richly carved with mythical creatures. In contrast to Gothic cathedrals, whose walls are supported externally by flying buttresses, allowing for a minimum of masonry and a maximum of light, at Speyer the columns supporting the roof are massive. You can climb the 304 steps of the southwest tower (access Apr.–Oct.) to reach the viewing platform, from where there is a splendid panorama. Another highlight is the Krypta which lies beneath the chancel. It's the largest crypt in Germany and is strikingly beautiful in its simplicity. Four emperors, four kings, and three empresses are buried here.

Bavaria's King Ludwig I's Italian-style villa sits on the slopes overlooking Edenkoben and Rhodt unter Rietburg. The house is now used as a space for art exhibitions and musical events: the former dining room is used for classical concerts; the cellars house exhibitions of 20th-century ceramics; and an extensive collection of paintings and prints by the leading German impressionist Max Slevogt (1868–1932) is also on display. Hourly tours are included in the admission fee.

Schloss Villa Ludwigshöhe is reachable by car, bus, or foot; the No. 506 Palatina bus goes directly from Edenkoben on Sunday and holidays. If you opt to walk, the Weinlehrpfad (educational trailpath) takes about 45 minutes. Historical winepresses and vintners' tools are displayed at intervals along the path, which starts at the corner of Landauer Strasse and Villa Strasse in Edenkoben. Due to major renovations the house is closed to the public until 2023.

It's just a short walk up Gaustrasse from Schillerplatz to the church, which affords a hilltop view of the city. Nearly 200,000 people make the trip each year to see the nine magnificent blue stained-glass windows designed by the Russian-born artist Marc Chagall.

Located in the Heylshofgarten, this is one of the leading art museums of the region. It has an exquisite collection of German, Dutch, and French paintings as well as stained glass, glassware, porcelain, and ceramics dating from the 15th to the 19th century.

In contrast to Speyer's Romanesque cathedral, the Worms Cathedral of St. Peter is much more Gothic. In part this is simply a matter of chronology, since Speyer Cathedral was finished in 1061, nearly 70 years before the one in Worms was even begun—and long before the lighter, more vertical lines of the Gothic style evolved. In addition, Speyer Cathedral was left largely untouched, but the Worms Cathedral underwent frequent remodeling. The Gothic influence here can be seen both inside and out, from the elaborate tympanum with biblical scenes over the southern portal (today's entrance) to the great rose window in the west choir and the five sculptures in the north aisle recounting the life of Christ. The cathedral was gutted by fire in 1689 in the War of the Palatinate Succession. For this reason, many of the furnishings are baroque, including the magnificent gilt high altar from 1742, designed by the master architect Balthasar Neumann (1687–1753). The choir stalls are no less decorative. They were built between 1755 and 1759 in rococo style. Walk around the building to see the artistic detail of the exterior.