7 Best Sights in Alsace-Lorraine, France

The ruins of the Château du Haut-Koenigsbourg were presented by the town of Sélestat to German emperor Wilhelm II in 1901. The château looked just as a kaiser thought one should, and he restored it with some diligence and no lack of imagination—squaring the main tower's original circle, for instance. The site, panorama, drawbridge, and amply furnished imperial chambers may lack authenticity, but they are undeniably dramatic.

The humble, stone-and-stucco Maison Natale de Jeanne d'Arc—an irregular, slope-roof, two-story cottage—has been preserved with style and reverence, although there is little to see inside. The modern museum alongside, the Centre Johannique, shows a film (French with English subtitles), while mannequins in period costume recount the Hundred Years' War. After she heard mystical voices, Joan walked 19 km (12 miles) to Vaucouleurs. Dressed and mounted like a man, she later led her forces to lift the siege of Orléans, defeated the English, and escorted the unseated Charles VII to Reims, to be crowned king of France. Military missions after Orléans failed—including an attempt to retake Paris—and she was captured at Compiègne. The English turned her over to the Church, which sent her to be tried by the Inquisition for witchcraft and heresy. She was convicted and burned at the stake in Rouen. One of the latest theories is that Jeanne d'Arc was no mere "peasant" but was distantly connected to France's royal family—a controversial proposal that many historians discount.

The cultural highlight of Colmar is the Musée d'Unterlinden; once a Dominican convent and a hotbed of Rhenish mysticism, the building's star attraction is one of the greatest altarpieces of the 16th century, the Retable d'Issenheim (1512–16), by Matthias Grünewald, which is displayed in the convent's Gothic chapel. Originally painted for the convent at Issenheim, 22 km (14 miles) south of Colmar, the multipanel work is either the last gasp of medievalism or a breathtaking preview of modernism and all its neuroses. Replete with raw realism (note the chamber pots, boil-covered bellies, and dirty linen), Grünewald's altarpiece was believed to have miraculous healing powers over ergotism. Widespread in the Middle Ages, this malady was caused by ingesting fungus-ridden grains, and its victims—many of whom were being nursed at the Issenheim convent—experienced delusional, nearly hallucinogenic fantasies.

Arms and armor are among the treasures in the enchanting 13th-century cloister. Upstairs are fine regional furnishings and a collection of Rhine Valley paintings from the Renaissance, among them Martin Schongauer's opulent 1470 altarpiece painted for Jean d'Orlier. A copper-roofed wing has three floors dedicated to modern and contemporary art (including the Guernica tapestry by Jacqueline de La Baume-Dürbach), as well as temporary exhibition space.

France's only museum devoted to Art Nouveau is in an airy turn-of-the-last-century garden–town house built by Eugène Corbin, an early patron of the École de Nancy. Re-created rooms show off original works by local Art Nouveau glassmakers Emile Gallé, Antonin and Auguste Daum, Amalric Walter, and other artisans. Immerse yourself in the fanciful, highly stylized, curlicue style that crept into interiors and exteriors throughout Nancy in the early 20th century, then became a sensation around the world.

A renovated 17th-century hospital on an island in the center of Épinal is home to the spectacular Musée Départemental d'Art Ancien et Contemporain. The crowning jewel here is Job Lectured by His Wife, one of the greatest works of Georges de la Tour, the painter whose candlelight scenes constitute Lorraine's most memorable artistic legacy. Works of other old masters on view (including Rembrandt, Fragonard, and Boucher) were once part of the famous collection of the Princes of Salm. The museum also contains one of France's largest collections of contemporary art, as well as Gallo-Roman artifacts, rural tools, and local faïence. The museum will be closed for major renovations from October 2023 through 2026.

With gingerbread, half-timber houses that seem to lean precariously over the canals of the Ill, plus old-fashioned shops and inviting little restaurants, "Little France" is the most magical neighborhood in Strasbourg. The district, just southwest of the center, is historically Alsatian in style and filled with Renaissance buildings that have survived plenty of wars. Wander up and down the tiny streets that connect Rue du Bain-aux-Plantes and Rue des Dentelles to Grande-Rue, and stroll the waterfront promenade.

With its severe, gleaming-white, classical facades given a touch of rococo jollity by fanciful wrought gilt-iron railings, this perfectly proportioned square may remind you of Versailles. It is named for Stanislas Leszczynski, twice dethroned as king of Poland but offered the Duchy of Lorraine by Louis XV (his son-in-law) in 1736. Stanislas left a legacy of spectacular buildings, undertaken between 1751 and 1760 by architect Emmanuel Héré and ironwork genius Jean Lamour. The sculpture of Stanislas dominating the square went up in the 1830s. Framing the exit, and marking the divide between the Vieille Ville and the Ville Neuve (New Town), is the Arc de Triomphe, erected in the 1750s to honor Louis XV. The facade trumpets the gods of war and peace; Louis's portrait is here.