Graubünden
We’ve compiled the best of the best in Graubünden - browse our top choices for the top things to see or do during your stay.
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We’ve compiled the best of the best in Graubünden - browse our top choices for the top things to see or do during your stay.
Graubünden's art museum has a striking, ultramodern extension where newer works and rotating exhibitions are shown; the majestic neoclassical Villa Planta building, erected in 1875 as a private residence, houses the core of the museum's collection. It includes works by well-known artists who lived or worked in the canton, including Angelika Kauffmann; Ferdinand Hodler; Giovanni Segantini; Ernst Kirchner; H. R. Giger; and Giovanni, Augusto, and Alberto Giacometti.
This narrow but dramatic gorge was carved thousands of years ago by glacial ice. Shortly after the start of the gorge, climb down 359 steps to view the river, rock formations, and a mid-18th-century bridge. You can reach the gorge by heading south from Chun toward the San Bernardino pass on the A13, then turn off at Thusis and follow the sign for the Viamala. This "bad road" was used by Romans and traders over centuries. It runs about 6 km (3½ miles) alongside the gorge.
Opposite the Rätisches Museum, a stone archway under this tower leads into the court of the strong bishop-princes of Chur, once hosts to Holy Roman emperors—sometimes with whole armies in tow—passing through on their way to Italy or Germany. The bishops were repaid for their hospitality by imperial donations to the people. The thick fortifications of the residence aren't for show: they reflect the tendency of inhabitants to dispute the bishops' powers. By the 15th century those who rebelled could be punished with excommunication.
The Cathedral of the Assumption was built between 1151 and 1272, drawing on stylistic influences from all across Europe. On this same site have stood a Roman castle, a bishop's house in the 5th century, and a Carolingian cathedral in the 8th century. Inside, the capitals of the columns are carved with fantastical beasts; clustered at their bases are less threatening animals, such as sheep and marmots. In the choir is a magnificent late-15th-century altar of gilded wood with nearly 150 carved figures created by Jakob Russ from Ravensburg, Germany.
A short train ride or drive south of Chur, the St. Martin church's renowned 12th-century painted wood ceiling features 153 panels that mostly depict stories from the Bible. It is one of the world's oldest original artistic works from the Romanesque era.
Once the main street through Chur and a major route between Germany and Italy, Obere Gasse is now lined with small shops and cafés. At the end stands the 16th-century Obertor (Upper Gate), guarding the bridge across the Plessur River.
Chur's Town Hall was built as two structures in 1464, which were connected in 1540. At ground level, under the arches, is the old marketplace. In the open hall on the second floor is a model of the Old Town, which can help you plan a tour of the city. The Grosser Ratsaal (Council Chamber) has a timber ceiling dating from 1493; the Bürgerratskammer (Citizens' Council Chamber) has wall panels from the Renaissance. Both chambers have old ceramic stoves, with the one in the Ratsaal depicting the seven deadly sins. Embedded in the wall beside the door on Reichsgasse 64 is a rod of iron about a foot long—the standard measure of a foot or shoe before the metric system was introduced. Although both chambers are generally closed to the public, very small groups can contact the tourist office to arrange a visit.
Displayed in a 1675 mansion, this collection provides a thorough, evocative overview of the canton's development. It includes not only furnishings and goods from that period, but also archaeological finds from the region, both Roman and prehistoric. Display texts are in German, but an English-language guidebook is available for purchase. There are also exhibitions of special interest on display most of the time.
St. Martin's was rebuilt in 1491 after a fire destroyed the 8th-century original. Since 1526 it has been Protestant. On your right as you enter are three stained-glass windows created in 1919 by Augusto Giacometti, the father of the Graubünden sculptor Alberto Giacometti. The steeple dates from 1917; with permission from the sacristan, you can climb to the top to see the bells. Of note, too, is the 1716 fountain beside the church, whose basin features the signs of the zodiac (the figure on top is a replica of the original).
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