4 Best Sights in The Veneto and Friuli–Venezia Giulia, Italy

The highlight here is the spectacular 3rd- to 4th-century mosaic covering the entire floor of the basilica and the adjacent crypt, which make up one of the most important early Christian monuments. Theodore, the basilica's first bishop, built two parallel basilicas (now the north and the south halls) on the site of a Gnostic chapel in the 4th century. These were joined by a third hall, forming a "U." The complex later accumulated the Romanesque portico and Gothic bell tower. The mosaic floor of the basilica is the remains of the floor of Theodore's south hall.

In his north hall, Theodore retained much of the floor of the earlier Gnostic chapel, whose mosaics represent the ascent of the soul, through the realm of the planets and constellations, to God, who is represented as a ram. (The ram, at the head of the zodiac, is the Gnostic generative force.) This integration of Gnosticism into a Christian church is interesting, since Gnosticism had been branded a heresy by early church fathers.

The 4th-century mosaics of the south hall (the present-day nave) represent the story of Jonah as prefiguring the salvation offered by the Church. Down a flight of steps, the Cripta degli Affreschi contains 12th-century frescoes.

Roman remains of the forum, houses, cemetery, and port are surrounded by cypresses here, and the little stream was once an important waterway extending to Grado. Unfortunately, many of the excavations of Roman Aquileia could not be left exposed, because of the extremely high water table under the site, and had to be reburied after archaeological studies had been conducted; nevertheless, what remains aboveground, along with the monuments in the archaeological museum, gives an idea of the grandeur of this ancient city. The area is well signposted.

The museum's wealth of material from Roman times includes portrait busts from the Republican era, semiprecious gems, amber—including preserved flies—and goldwork, and a fine glass collection. Beautiful pre-Christian mosaics are from the floors of Roman houses and palaces.

What started out as an early-Christian 4th-century suburban basilica was transformed in the 9th century into a monastery and then a farmhouse. Now it's a museum: some of the fragments of 4th-century mosaics preserved here are even more delicate than those in the main basilica.