15 Best Sights in Puglia, Basilicata, and Calabria, Italy

The 11th-century Basilica di San Nicola, overlooking the sea in the città vecchia (old city), houses the bones of St. Nicholas, the inspiration for Santa Claus. His relics were stolen from Myra, in present-day Turkey, by a band of sailors from Bari and are now buried in the crypt. Because St. Nicholas is also the patron saint of Russia, the church draws both Roman Catholic and Russian Orthodox pilgrims; souvenir shops in the area display miniatures of the Western saint and his Eastern counterpart side by side.

The stunning pinkish-white 11th-century cathedral, considered one of the finest in Puglia, is built on a spit of land jutting into the sea. Dedicated to St. Nicholas the Pilgrim, it was a favorite place of prayer for crusaders embarking for war in the Holy Land. Its lofty bell tower can be visited, and guided tours arranged by request at the nearby Museo Diocesiano and via the website calendar slots; the views are worth the climb.

Dominating a vast square concealed by a maze of alleyways, Lecce's magnificent cathedral of Santa Maria Assunta never fails to take visitors by surprise. The goal when building the 17th-century structure was to stun the faithful with a vision of opulence and power. Constructed in rosy local stone, the church is flanked by the ornate Bishops' Palace (1694), the seminary, whose first-floor Museum of Sacred Art (MuDAS) displays papier-mâché sculptures alongside brooding Caravaggio-esque paintings. Adding to this melodious architectural scene is the 236-foot-high bell tower, which dominates the centro storico skyline. 

Matera's splendidly restored cathedral, dedicated to the Madonna della Bruna and Sant'Eustachio, was built in the late 13th century and occupies a prominent position between the two Sassi. Lavishly decorated, it has a typical Puglian Romanesque flavor; inside, there's a recovered fresco, probably painted in the 14th century, showing scenes from the Last Judgment. On the Duomo's facade the figures of Sts. Peter and Paul stand on either side of a sculpture of Matera's patron, the Madonna della Bruna.

A splendid example of southern Italian Baroque architecture, the basilica contains rows of lavishly decorated altars in polychrome marbles, as well as treasures like the silver statues of the two patron saints, San Martino and Santa Comasia. To the right of the main altar note the illuminated niche with the sculpture of the Madonna Pastorella as a shepherd girl in a gown of cloth-of-gold, defending Christ's flock from demons. 

By far the best sight in Otranto is the cathedral, Santa Maria Annunziata, consecrated in 1088. Its highlight is a 12th-century Pantaleone mosaic: covering the entire length of the nave, the sanctuary, and the apse, it depicts scenes from the Old Testament and traditional medieval chivalric tales and animals set alongside a Tree of Life. The walls behind the main altar are lined with glass cases containing the skulls and tibias of the 800 martyrs of Otranto, slain by the Ottomans after the seige of 1480 for not renouncing their faith.

In Tropea's beguiling warren of lanes, seek out the old Norman cathedral, whose main altar contains the locally revered icon of the Madonna di Romania, protectress of the city. Also of interest are the imposing 14th-century "Black Crucifix," in one of the side chapels, and the adjoining Museo Diocesano, which contains an archaeological section and a collection of sacred art, including a life-size statue of Santa Domenica in solid silver, dating from 1738. November through March, the cathedral is open for church services only, but if you're quiet and respectful, you can probably sneak a peek.

Originally dedicated to Santa Maria Maddalena before San Cataldo (St. Cathal of Munster) got the Papal nod, Puglia's oldest duomo has 5th-century origins and been rebuilt several times—its present shape layered on top of an 11th-century Byzantine layout. Striking features include the ornate Baroque facade (1713) by the Leccese Mauro Manieri, geometric motifs in the nave and transept, 16 ancient marble columns with ornate capitals, and a recently rebuilt campanile and 1657 cupola. 

Bari's 12th-century cathedral is the seat of the local bishop and was the scene of many significant political marriages between important families in the Middle Ages. The cathedral is dedicated to San Sabino, a 6th-century bishop who apparently lived to be 105. The architecture reflects the Romanesque style favored by the Normans of that period.

In the center of the borgo antico, Gallipoli's Duomo is a notable Baroque cathedral from the late 17th century, dedicated to Sant'Agata, patron saint of the city. Built in local limestone, the ornate facade is matched by an equally elaborate interior with columns and altars in fine polychrome marble and paintings by leading local Gallipoli and Neapolitan maestros of the time. Particularly interesting are the stone carvings that depict episodes from the city's history.

Cosenza's original Duomo, probably built in the middle of the 11th century, was destroyed by an earthquake in 1184. A new cathedral was consecrated in the presence of Emperor Frederick II in 1222. After many Baroque additions, later alterations have restored some of the Provençal Gothic style. Inside, on the left of the main altar, you'll see the lovely monument to Isabella of Aragon, who died after falling from her horse en route to France in 1271.

A fine example of Gallipoli Baroque, the 17th-century Church of Santa Maria della Purità stands at the end of the borgo antico overlooking famed Purità Beach. It contains an eye-popping wealth of art and decoration, including the painting at the high altar by Luca Giordano, intricately carved wooden choir stalls, and a 19th-century majolica pavement.

Taranto's most important monument is the ancient church and monastery of San Domenico in the heart of the centro storico. Situated on the narrow strip of land that divides Taranto's two bays, Mare Piccolo and Mare Grande, the present, rather neglected church rises over the ancient Greek acropolis of Taranto where the city is considered to have originated. The statue of Our Lady of Sorrows, much venerated by the local people, stands in the last chapel on the left. Pop into the beautiful 13th-century cloister for a moment's respite from sightseeing.

Considered a jewel of medieval architecture, the 13th-century Romanesque church of San Giovanni Battista was restored to its pre-Baroque simplicity in 1926. The elaborately carved portal is a riot of entwining stone vines, flowers, leaves, human figures, and allegorical creatures. Inside, the three naves are flanked by columns crowned with capitals, each one decorated with symbolic animal forms and other images—no two are alike.

Although Lecce was founded before the time of the ancient Greeks, it's often associated with the term Barocco leccese, the result of a citywide impulse in the 17th century to redo the town in an exuberant fashion. But this was Baroque with a difference: generally, such architecture is heavy and monumental, but here it took on a lighter, more fanciful air, and the church of Santa Croce is a fine example, along with the adjoining Palazzo della Prefettura. The facade is a riot of sculptures of saints, angels, leaves, vines, and columns—all in glowing local honey-color stone, creating an overall lighthearted effect.