11 Best Sights in London, England

Originally founded in 1123 as part of an Augustinian monastery, this is one of the oldest churches in London and one of the city's few surviving Norman buildings. Although much of the church has been destroyed or demolished over the centuries, with restoration only beginning in the mid-19th century (it even saw use as a stable and a factory in the interim), it nevertheless remains perhaps the best preserved example of Romanesque architecture in London. Most notable are the 13th-century arch with a half-timbered gatehouse at the entrance and the fine Romanesque chancel, apse, and triforium at the east end of the interior. The artist William Hogarth was baptized in the font, which dates back to 1404. The redolent atmosphere has made it a favorite filming location, and you can see it in The Other Boleyn Girl, Four Weddings and a Funeral, and Shakespeare in Love, to name just a few.

For centuries, this iconic building has represented London's spirit of survival and renewal, and it remains breathtaking, inside and out. Sir Christopher Wren started planning the current cathedral in 1666, immediately after the previous medieval building, founded in 1087, was destroyed in the Great Fire, hence the word resurgam ("I shall rise again") inscribed on the pediment of the south door. St. Paul's again became a symbol of the city's resilience during the Blitz, when local volunteers risked death to put out a blaze on the dome (despite these efforts, much of the cathedral's east end and its high altar were destroyed). It has often been the scene of great state occasions, such as Winston Churchill's funeral and the wedding of King Charles III and Princess Diana.

Construction started in 1675 and took 35 years to finish. It was actually Wren's third design: the first was rejected for being too modern; the second for being too modern and too Italian, that is, Catholic (you can see the 20-foot "Great Model" of this design in the crypt). Despite mollifying the Anglican clergy with the promise of a traditional English spire, Wren installed a neoclassical triple-layered dome, the second-largest cathedral dome in the world after St. Peter's in Rome.

The interior is a superb example of the English baroque. Climb 257 steps up the Geometric Staircase, a perfectly engineered stone spiral, to the Whispering Gallery, so named because a whisper against one wall can be heard on the wall 112 feet opposite. Another 119 steps up is the Stone Gallery, which encircles the exterior of the dome and provides panoramic views over London. If you have a head for heights, tackle another 152 steps to the small Golden Gallery, an observation platform at the dome's highest point. At 278 feet above the cathedral floor, it offers even more spectacular vistas. Back on the ground, in the south choir aisle, you'll find the grave of John Donne, the poet who was dean of St. Paul's from 1621 until his death in 1631. His marble effigy is the oldest memorial in the cathedral and one of the few to survive the Great Fire. The intricate lively figures on the choir stall nearby are the work of master carver Grinling Gibbons, who also embellished the Wren-designed great organ. Behind the high altar is the American Memorial Chapel, dedicated to the 28,000 American GIs stationed in the United Kingdom during World War II. Among the notables buried in the crypt are the Duke of Wellington, Admiral Lord Nelson, Sir Joshua Reynolds, Henry Moore, and Wren himself. The Latin epitaph above his tomb fittingly reads, "Reader, if you seek his monument, look around you."

Free, introductory, 20-minute talks are offered regularly throughout the day. Free, 60-minute, guided tours take place Monday through Saturday at 10, 11, 1, and 2; reserve a place at the welcome desk when you arrive. Save £3 per admission ticket and get fast-track entry by booking online.

Nowhere else in London does history seem so vividly alive as in this minicity begun by the Normans more than 1,000 years ago. In its time, the Tower has been a fortress, a mint, a palace, an archive, and the Royal Menagerie (which formed the kernel of London Zoo). Most of all, however, it has been known as a place of imprisonment and death. Thousands of unfortunate souls, including numerous aristocrats and even a few sovereigns (some notorious traitors, some complete innocents), spent their last days here, several etching their final recorded thoughts onto their cell walls, and pints of royal blood have been spilled on its stones. Executions at the Tower were reserved for the nobility, with the most privileged beheaded in the privacy of Tower Green instead of before the mob at Tower Hill. In fact, only seven people received this dubious "honor," among them Anne Boleyn and Catherine Howard, two of Henry VIII's six wives.

The White Tower, the oldest building in the complex (which is actually made up of 20 towers, not just one) is also its most conspicuous. Begun by William the Conqueror in 1078 and whitewashed (hence the name) by Henry III (1207–72), it contains the Armouries, a splendid collection of arms and armor. Across the moat to the right is the riverside Traitors' Gate, to which the most famous prisoners were rowed to bring them to their impending doom.

Opposite is the Bloody Tower, where the "little princes in the Tower"---the uncrowned boy king Edward V and his brother---were consigned by their wicked uncle, who then took the crown for himself, thus becoming Richard III. The boys were never seen again, widely assumed to have been murdered in their tower prison. Also not-to-be-missed are the gorgeous Crown Jewels in the Jewel House. The original crown, orb, and scepter, symbols of monarchial power, were destroyed during the English Civil War; the ones you see here date back to after the Restoration in 1661. The most impressive gems were added only in the 20th century, when their countries of origin were part of the British Empire. Free 60-minute tours of the Tower depart every half hour or so (until midafternoon) from the main entrance. They are conducted by the Yeoman Warders, more popularly known as Beefeaters, who have guarded the Tower since Henry VII appointed them in 1485. Veterans of Britain's armed forces, they're easy to spot in their resplendent navy-and-red Tudor uniforms (scarlet-and-gold on special occasions). Keep an eye out for the ravens upon whose residency of the Tower, legend has it, the safety of the kingdom depends.

Avoid lines by buying a ticket in advance online, by phone, or from the automatic kiosks on Tower Hill. For free tickets to the 700-year-old Ceremony of the Keys (the locking of the main gates, nightly between 9:30 and 10), write several months in advance; check the Tower website for details.

Since its establishment in 1694 as England's central bank, the role of the "Old Lady of Threadneedle Street" (a political cartoon caption that stuck) has grown to include managing foreign exchanges, issuing currency, storing the nation's gold reserves, and regulating the United Kingdom's banking system. Since 1997, it has had operational responsibility for Britain's monetary policy, most visibly setting interest rates (similar to the Federal Reserve in the United States).

The 3-acre site is enclosed in a massive, neoclassical curtain wall designed by Sir John Soane. This 1828 windowless outer wall is all that survives of Soane's original bank building, which was demolished in 1925. You can discover more about the bank's history in the surprisingly varied Bank of England Museum (the entrance is around the corner on Bartholomew Lane). In addition to the bank's original Royal Charter, there's a lively program of special exhibitions, plus interactive displays (you can even try your hand at controlling inflation). The most popular exhibit remains the solid-gold bar in the central trading hall that you can actually hold—but before you get any ideas, there's security everywhere.

Built in 1700, this elegant Georgian residence, with its restored interiors, paneled rooms, and period furniture, is where Samuel Johnson lived between 1748 and 1759, compiling his landmark A Dictionary of the English Language in the garret as his health deteriorated. There's a research library with two early editions on view, along with other mementos of Johnson and his friend and biographer, James Boswell, one of literature's greatest diarists. After your visit, enjoy more 17th-century atmosphere around the corner in Wine Office Court at the venerable pub Ye Olde Cheshire Cheese, once Johnson and Boswell's favorite watering hole.

For centuries, this building has been the administrative and ceremonial base of the Corporation of London, the world's oldest continuously elected municipal governing authority (the Corporation still oversees The City's civic administration but now in a more modern building). Built between 1411 and 1440, it is The City's only surviving secular medieval building, and although it lost roofs to both the Great Fire of 1666 and the Blitz of 1940, its Gothic Great Hall has remained intact. Adding to the Hall's period atmosphere are the colorful coats of arms and banners of the 110 city livery companies, descendants of medieval trade guilds, which still officially elect the Lord Mayor of London. These range from older companies originally formed by trades of yesteryear to new ones representing modern activities like information technology, along with several that remain eternally relevant (e.g., carpenters, upholsterers, and fishmongers).

The Hall has been the site of several historic trials, including that of the "Nine Days Queen" Lady Jane Grey in 1553 and the landmark Zong case (1783), which helped end Britain's involvement in the slave trade. Even more ancient are the 11th-century East and West Crypts, survivors of the original Saxon Hall and the largest remaining medieval crypts in London.

To the right of Guildhall Yard is the Guildhall Art Gallery, which includes portraits of notables, cityscapes, and a slightly cloying pre-Raphaelite section. The construction of the gallery in the 1980s led to the exciting discovery of London's only Roman amphitheater, which had lain undisturbed for more than 1,800 years. Visitors can walk through the excavation, although most of the artifacts are now at the Museum of London. There are monthly 75-minute guided tours on select Thursdays when the city council meets at 10:45 am (advance booking required); check the website for dates.

Located just off Fleet Street in the city's former epicenter of English print and newspapers, St. Bride's is known as "the journalists' church," and indeed a small altar in the north aisle marks a memorial dedicated to the sadly ever-growing list of reporters, photographers, and crew who have lost their lives covering 21st-century conflicts. St. Bride's is another of Sir Christopher Wren's English baroque gems, built nine years after the Great Fire of 1666. The distinctively tiered steeple, Wren's highest, for which Benjamin Franklin designed a lightning rod, allegedly inspired a baker parishioner to make a similarly shaped tiered cake for his own wedding, thus creating the modern wedding cake design.

This is thought to be the eighth church on the site (there's still a medieval chapel in the northeast corner), with the first one built during the seventh century. Evidence for this, along with a section of a Roman mosaic sidewalk, was discovered in the crypt, where you can now see the many archaeological finds unearthed from the thousands of coffins there. Guided tours can be arranged in advance; the church also hosts regular free lunchtime concert recitals.

Founded around 1080 as the Archbishop of Canterbury's London seat, this church is a survivor; it collapsed and was rebuilt three times before being completely destroyed in the Great Fire of 1666. Once again, Sir Christopher Wren was called in, creating a new building that was completed in 1673, but sadly this, too, was destroyed, during the Blitz. The version you see today is a re-creation of Wren's design that was reconsecrated in 1965. According to tradition, only Londoners born within earshot of the church's famous "Bow Bells" (which used to echo more widely than they do now) can be considered true Cockneys, a concept that may date back to the 9 pm curfew bells rung during the 14th century.

The Norman crypt is the oldest parochial building in London still in use, and you can see the bow-shaped arches from which the church takes its name. The garden contains a statue of former parishioner Captain John Smith, the founder of the Virginia Colony. Opening times on weekends and holidays are irregular, so calling ahead is advised. Guided tours are available by arrangement. Classical music concerts are held here regularly; check the website for listings.

Designed by Sir Christopher Wren and Dr. Robert Hooke to commemorate 1666's "dreadful visitation" of the Great Fire of London (note the gilded orb of flame at the column's pinnacle), the world's tallest isolated stone column offers spectacular views of the city from the viewing platform 160 feet up. The two architects were asked to erect the monument as close as possible to where the fire began, and so it's located exactly 202 feet from the alleged point of origin, Farrier's baking house on Pudding Lane. Built between 1671 and 1677, the fluted Doric column also stands 202 feet tall, so if climbing the 311 steps of the beautiful spiral staircase to the public balcony seems too arduous, you can watch a live view from the platform played on a screen at the entrance.

Visitors are allowed into the public galleries of the 16 courtrooms at London's Central Criminal Court (universally known as "the Old Bailey," a reference to the street where it's located, which follows the line of the original fortified city wall, or "bailey" in Middle English). Historically it has been the venue for many of Britain's most famous criminal trials. It was here that Oscar Wilde was condemned for "gross indecency" in 1895, where notorious murderers like the Kray twins in the 1960s and the Yorkshire Ripper in the 1980s were convicted, and, more recently, where high-profile terrorism cases have been tried.

Originally the site of a medieval courthouse destroyed in the Great Fire, a courthouse was built here next to the grim Newgate Prison, the poor man's version of the Tower, in 1673. The building went through two more incarnations before the present Edwardian baroque building opened in 1907 (it was rebuilt again after the Blitz). Until 1868, executions were held on the street outside (a great public attraction), and you can still see the "Dead Man's Walk" along which condemned prisoners were taken from their cells to the gallows under a series of ever-narrowing arches. Note the 12-foot gold-leaf statue of Lady Justice at the top of the dome, not wearing a blindfold as she is usually portrayed.

Visitors are only allowed access to the public galleries to view trials; there is no visitor access to the rest of the building. Trials take place from 10 am to 1 pm and 2 pm to 4:30 pm. There are security restrictions, and children under 14 and overly casual dress are not allowed.

Despite its medieval appearance, London's most famous bridge was actually built at the tail end of the Victorian era in the then-popular neo-Gothic style, first opening to traffic in 1894. With a latticed steel construction clad in Portland stone, the bridge is known for its enormous bascules—the 1,000-ton "arms" that open to allow ships taller than its normal 28-foot clearance to glide beneath. The steam-powered bascules were a marvel of Victorian engineering when they were created (you can still visit the Engine Rooms, now with explanatory films and interactive displays), and required 80 people to raise and lower. Initially, heavy river traffic meant this happened 20 to 30 times a day, but it's now reduced to a number of days per month, with greater frequency depending on the time of year (see the bridge's website for a schedule).

The family-friendly Tower Bridge Exhibition includes the ground-level Engine Room, displays in the North Tower documenting the bridge's history, access to the east and west walkways that run alongside the road between the turrets and provide views over the river and city, and for those untroubled by vertigo, a transparent walkway 138 feet up between the towers that lets you look down on the traffic or, if the bascules are raised, the ships below.