5 Best Sights in The Central Coast, Vietnam

As part of their cultural tradition, the Chinese built assembly halls as a place for future generations to gather after they migrated to new countries. Once a major Southeast Asian trading port, Hoi An is home to five such halls that date back to the 16th and 17th centuries; however, exact dates for the buildings are unclear from historic records as most have been subjected to newer 18th- and 19th-century improvements. Recognizable by their Chinese architecture, the assembly halls generally feature ornate gates, main halls, altar rooms, and statues and murals in honor of gods and goddesses. Four of Hoi An's assembly halls—Fujian, Hainan, Cantonese, Chinese—are located on Tran Phu Street near the river. The Chaozhou assembly hall is situated in the French Quarter, a short stroll east of Old Town on Nguyen Duy Hieu. Among them, the Fujian Hall, Phuc Kien, is considered the most prominent. Entrance to each assembly hall is one coupon from the five included in the Old Town ticket.

Built in 1741 as a meeting place for Cantonese, Chaozhou, Fujian, Hainan, and Hakka families living in Hoi An, this temple is dedicated to Thien Hau, the Goddess Protector of Seafarers. For budding photographers, this is a great hall to visit as red-lacquered, demonic deities and brightly colored murals sit beside the main temple in a haze of smoky incense coming from the hundreds of coils hanging from the ceiling.

This 170-foot structure, Vietnam's tallest flagpole, is one of the symbols of Hue. It was originally built in 1807 to serve as the Imperial Palace's central observation post. Like much of Hue, it has a history of being destroyed. The Flag Tower was toppled during a typhoon in 1904 and rebuilt, then, destroyed again in 1947, and rebuilt anew in 1948. When the North Vietnamese occupied the city during the Tet Offensive of 1968, the National Liberation Front flag flew from the Flag Tower. The interior is closed to the public.

The Royal Library, a wooden structure east of the Forbidden Purple City, is one of the few largely intact buildings in the Imperial City. The delicately carved architecture has survived, although there are no books or other library-like objects left. 

This elegantly designed house was built in 1802 by Tran Tu Nhuc, a 19th-century Mandarin and Chinese ambassador, as a place of worship for the Tran family's deceased ancestors. It's packed with interesting antiquities. In the morning, light floods down through a glass tile in the roof, illuminating the family altar that stands behind three sliding doors—the left for men and the right for women. The central door (designed for deceased ancestors to return home) is opened only at Tet and other festivals; it's an architectural touch common for older residential houses throughout the country.

The altar houses a box with pictures and names of dead relatives, a 250-year-old book that records the Tran family history, and a bowl of Chinese coins representing yin and yang—toss one for good luck. Tours are given in English by members of the Tran family.