Fodor's Expert Review Futarasan-jinja Shrine
Nikko's holy ground is far older than the Tokugawa dynasty, in whose honor it was improved upon. Founded in AD 782, Futara-san Jinja (Futura-san Shrine) is a peaceful contrast to the more elaborate Toshogu Shrine. Futarasan has three locations: the Main Shrine at Tosho-gu; the Chugu-shi (Middle Shrine) at Chuzenji-ko; and the Okumiya (Inner Shrine) on top of Mt. Nantai.
The bronze torii at the entrance to the shrine leads to the gilded and elaborately carved Kara-mon (Chinese Gate); beyond it is the Hai-den, the shrine's oratory. The Hai-den, too, is richly carved and decorated, with a dragon-covered ceiling. The Chinese lions on the panels at the rear are by two distinguished painters of the Kano school. From the oratory of the Taiyu-in a connecting passage leads to the Hon-den (Sanctum)—the present version of which dates from 1619. Designated a National Treasure, it houses a gilded and lacquered Buddhist altar some 9 feet high, decorated with paintings of animals, birds, and... READ MORE
Nikko's holy ground is far older than the Tokugawa dynasty, in whose honor it was improved upon. Founded in AD 782, Futara-san Jinja (Futura-san Shrine) is a peaceful contrast to the more elaborate Toshogu Shrine. Futarasan has three locations: the Main Shrine at Tosho-gu; the Chugu-shi (Middle Shrine) at Chuzenji-ko; and the Okumiya (Inner Shrine) on top of Mt. Nantai.
The bronze torii at the entrance to the shrine leads to the gilded and elaborately carved Kara-mon (Chinese Gate); beyond it is the Hai-den, the shrine's oratory. The Hai-den, too, is richly carved and decorated, with a dragon-covered ceiling. The Chinese lions on the panels at the rear are by two distinguished painters of the Kano school. From the oratory of the Taiyu-in a connecting passage leads to the Hon-den (Sanctum)—the present version of which dates from 1619. Designated a National Treasure, it houses a gilded and lacquered Buddhist altar some 9 feet high, decorated with paintings of animals, birds, and flowers, in which resides the object of all this veneration: a seated wooden figure of Iemitsu himself.
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