Shanghai
Today beauty and charm coexist with kitsch and commercialism. From the colonial architecture of the Former French Concession to the forest of cranes and the neon-lit high-rises of Pudong, Shanghai is a city of paradox and change.
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Today beauty and charm coexist with kitsch and commercialism. From the colonial architecture of the Former French Concession to the forest of cranes and the neon-lit high-rises of Pudong, Shanghai is a city of paradox and change.
Today beauty and charm coexist with kitsch and commercialism. From the colonial architecture of the Former French Concession to the forest of cranes and the neon-lit high-rises of Pudong, Shanghai is a city of paradox and change.
Today beauty and charm coexist with kitsch and commercialism. From the colonial architecture of the Former French Concession to the forest of cranes and the neon-lit high-rises of Pudong, Shanghai is a city of paradox and change.
When this beautiful neoclassical structure was built by the British in 1923, it was the second-largest bank building in the world. It served as the headquarters of the Shanghai branch of The Hongkong and Shanghai Banking Corporation. After the building was turned into offices for the Communist Party in 1955, the beautiful 1920s Italian-tile mosaic in the building's dome was deemed too extravagant and was covered by white paint. Ironically enough, this protected it from being destroyed by the Red Guards during the Cultural Revolution. The mural was then forgotten until 1997, when the Pudong Development Bank renovated the building. If you walk in and look up, you'll see the circular mosaic in the dome—an outer circle portraying the cities where the bank had branches at the time: London, Paris, New York, Bangkok, Tokyo, Calcutta, Hong Kong, and Shanghai; a middle circle made up of the 12 signs of the zodiac; and the center painted with a large sun and Ceres, the Roman goddess of abundance.
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